jacktellslies: (this machine)
A Japanese soldier had played under the blossoms of a cherry tree in the Aprils of his childhood. He sat under them in the Aprils when, as luck or fate or the tree would have it, he was on leave. He grew old. His wife (he'd married) and his children (he'd had some) and all of his family died, and he lived. And then when the tree died, he felt it as a wound, and as an order. The people of the village where he lived planted a new tree. He pretended to be happy, for them. But in the winter he went to his dead tree and kneeled on a white cloth he'd placed on the ground, and sliced open his belly with his sword. In the death poem he left, he begged the tree to bloom once more, for he was dying for it. His blood soaked the cloth, and the earth, and the roots. He became the tree, and the tree had always been him. They bloom every year on the day of his death, not heeding the winter.

My aunt, whom I love, has a dear friend who has breast cancer but does not have medical insurance. No one really expects her to live. They go to the ocean every winter. They'll do it this year. They won't the next.

I've always wanted to be elderly. I already dress like an old man. But bodies die before we're done living in them, and I hate it. And I am afraid of watching friends hurt far more than I fear hurting.

If a woman was scorned in Japan, she'd dress for battle in the middle of the night, wearing three candles in her hair, a mirror around her neck. She'd go to the woods. She'd nail a doll bearing her lover's name to a cherry tree, telling the gods and the trees to kill the boy. Every night they didn't she'd hammer another nail into the doll, into the tree, and, there being more men than cherry trees in Japan, the gods and the trees would oblige.
jacktellslies: (opium den)
I have goat cheese for purple grapes and a pink apple and for toast with butter and rosemary. I'm making one of my most absurd teas, a white tea that comes in the form of a pellet which one must unwrap from soft paper as if one is preparing an old gun. One lets it steep once for thirty seconds, discards the slag, and brews it again. I can only ever describe the flavour as interesting, and I drink it so rarely.

What is your favourite type of tea, your favourite thing from which to drink it, and what does your teapot look like?

Whilst in France, I think, Liz and I realized, quite ironically, that we are easy to please creatures, or perhaps infants. Give us good food and art, adventures and regular naps in a strange and new country, and, in my case, breasts, and we are the happiest of things. Is it one of my charms or flaws that I have never been able to bring myself to be ashamed of my base nature? I fuel this machine like it was my religion.

If I smoked like my friends did, I would write here the most terrible purple paragraphs on the joys of preparing a pipe, of glasswork, and of the heaviness and the twisting of smoke. I would ascribe to it mystical properties. But I am a drinker of absinthe and a liar like the old poets, and I long for the secrets of a dead Chinatown.

I have a bit of something called Mint Sauce Concentrate. It came in a lovely little jar, and I haven't the slightest idea of what to do with it. Have you any suggestions?

When I've graduated, I've decided, I must reread Nella Larsen's Passing. I think that it might mean something different, now.

Apparently, corporate entities are performing Hamlet at meetings, and discussing it as a business model at the end. The actors are paid extra for giving the meeting in character, and asking questions, such as, "Would Hamlet make a good employee? Why or why not?" and, "What could Hamlet learn from Laertes?" The things that I hate are, at times, so beautiful and odd.

My tea leaves called me a fool. By swaggering could I never thrive, for the rain it raineth every day.

I've said all of this before, except for the bits about Hamlet and the mint.

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jacktellslies

August 2009

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